Categories
Colour Industry Expertise Trend

Visions for Love 2021+

Let´s make celebrating love fully inclusive; not just on Valentine´s Day but all year round.

Did you know that the name is derived from Latin ‘valentia’ meaning strength or capacity?

14 February is often disliked by singles, people in unfulfilling relationships and happy couples not conforming to stereotypical norms alike.

In recent years we have seen the rise of #galentines celebrations – female friends gifting one another to express their non-romantic love. It´s a step moving forwards.

But there is still untapped potential for the gift and greetings industry to offer options outside of heteronormative clichés. We also have to do more than rainbow prints if we mean equality for the LGBTQ+ community.

#loveislove

‘MON AMOUR’ inspires us to think outside the box of gender assigned designs. This mood board gives romantic love between men a voice. However, the imagery is chosen to be welcoming to all; men, women, non-binary people with all their sexual preferences. Conceptions of female and male colours are challenged. Mauve tones, deep blues and reds ooze sophistication, whilst a pop of bold red amplifies the contemporary edge of this dreamy story.

‘YOU ROCK MY LIFE’ shouts out loud for love in various forms – from passionate and sexy to amicably asexual. The mood board opens us to the idea of gifting loved ones regardless if we are in a romantic relationship or not. Messaging is fun and cheeky. Gentle pinks – playing with warm and cool undertones – serve as background colours for clashing reds. Soft yellow adds an element of surprise in this vastly monochromatic colour scheme.

Have you noticed, that some of the nuances also feature in other trend stories I have created for 2021+? Using overarching colours ensures different collections work with each other. This approach is more sustainable, as it´s easy to integrate stock that did not sell the following season/year. If your brand values seasonless design then you will notice the benefits of smart colour combinations even more.

Send an e-mail to hello@alinaschartner.com to talk about how I can inspire your brand on design and colour direction or finding the right narrative tone.

Image sources clockwise from top left: MON AMOUR Hotel Deux Gares designed by Luke Edward Hall 〰️ Jil Koehn 〰️ Hotel Il Palazzo Experimental 〰️ Lex Pott 〰️ Théo Tourne 〰️ Lottie Hall Stuio YOU ROCK MY LIFE Guía oca 〰️ Consches 〰️ Janine (Cortez) Ker 〰️ Kissmiklos 〰️ &k amsterdam 〰️ Fluide Beauty

Categories
Trend

Urban Health

An interest in holistic wellness has already been growing in recent years. The global lockdowns, implemented due to the corona crisis, have accelerated the debate on the importance of nature and calming third spaces, particularly in urban areas. As the home has to integrate new functions, from work to homeschooling, an increasing number of city dwellers aims to find moments of quiet in seeking solitude in parks.

Unfortunately, many city councils have limited access to public parks in fear of the virus’ potential spread. Drawing inspiration from Japanese zen-gardens @christprecht from @studioprecht has proposed a solution for a vacant plot in Vienna with ‘Parc de la Distance’. Dense greenery, planted in spiral form, softly guides the visitor. Bringing the concept of ‘forest bathing’ to the city, the lush hedges offer much-needed space to breathe, think and recharge, whilst safeguarding social distancing.

Public spaces for respite will be paramount for the future of urban health. As a new awareness for the link between emotional and physical wellbeing has come to the fore during the pandemic, natural environments within densely populated areas will continue to be cherished even when movement is not restricted anymore.  

Brands offering products and services that support householders in their quest for creating a sanctuary at home will have increasing opportunities to thrive. Helping people to incorporate calming and healthy rituals in their daily routine, will make brands stay of relevance well beyond the corona crisis.

Images courtesy of Precht

Categories
Material Trend

Valued Waste

Dirk Vander Kooij´s ‘Meltingpot Table’ re-using waste polycarbonate culled from CDs and ‘Chubby Chair’ made from reclaimed polystyrene sourced from refrigerator interiors.

Circular economy and zero waste were amongst the big buzz words before the coronavirus sadly became the nearly all-consuming topic in recent weeks. Sustainability may have taken a backseat in public discourse, for the time being, and yet it has never been more important to reconsider how we want to use our resources.

Keeping the carbon footprint as low as possible: Cellulose fibres, derived from paper waste, for sustainable floor insulation from local brand ISOCELL. The headquarter is located 2km from our building site.

Standing in a field of fluffy cellulose fibres on Labour Day, as I helped my brother build his house this bank holiday weekend, I found myself thinking about waste materials and the meaning of sustainability as a whole.

Cellulose, derived from paper waste, has excellent thermal qualities. Naturally moisture-regulating, this recycled material only needs mixing with mineral salts and milling to become resistant against rotting and fire. Available in abundance, it is also a more affordable alternative, than many other natural materials for floor insulation, such as hemp or wool waste products.

Insulation materials may not draw as much attention on Social Media, than uber-styled, zero waste personal care flat lays. However, choosing sustainable building materials has potentially a much higher impact on our environment. This is not to say the many small personal efforts, people make towards a bigger goal, are not beneficial. I just wish we looked at sustainability more holistically.

Jessica den Hartog´s post-consumer plastic waste experiments in her prototype series of ‘Recoloured’, which has grown into an exciting portfolio of textures and products since.

As I was evenly spreading the cellulose fibres my mind wandered to other waste materials, that impressed me in recent years. I remembered seeing Jessica den Hartog´s ‚Recoloured‘ prototype series, for the first time in real life, during the London Design Festival 2018. Since then, the material-forward designer has evolved to become a sustainable plastic expert. She has collaborated with numerous creatives, to give a new lease of life to post-consumer plastic waste.       

As opposed to industrially recycled HDPE (a type of plastic often used for household detergent containers etc.), which is fused to form a grey mass, Jessica manually sorts the waste plastic by colour. Using the inherent pigments she develops a beautiful portfolio of textures and products obtained from waste material.

Detail of Dirk Vander Kooij´s enchanting surface design for tables in his ‘Meltingpot’ collection.

Secondly, Dirk Vander Kooij´s ‚Meltingpot‘ series popped up before my imaginary eye. It is another fabulous example of urban mining (extraction of valuable materials from landfills). This detail shows the mesmerising effect created with polycarbonate sourced from thrown out CDs. Unfortunately, the CD has been an invention like many others, rendered obsolete within a decade, and billions will remain in landfills for many years to come.

Plastic waste turned into bold furniture, suitable for both indoor and outdoor usage by Dutch designer Dirk Vander Kooij.

Dirk Vander Kooij crafts captivating furniture, suited for indoor and outdoor spaces, public and private alike. The designer describes the result as waste being ‚affectionately remoulded into indestructible tables‘. His collection also sports unique chairs and benches. As I prepared the cellulose to fit under the floor, I realised Dutch design studios have been particularly strong in delivering innovative surface design lately.

‘Totomoxtle’ a veneer developed by Mexican designer Fernando Laposse. Made from corn husks, an overlooked agricultural by-product, this natural material offers wood-like qualities.

Still, designers upgrading waste to something precious is a global phenomenon, that has grown exponentially in recent years. My hands-on experience, working with the cellulose fibres, prompted me to remember many more naturally sustainable material innovations. One of them is ‚Totomoxtle‘, a veneer offering an intriguing and sustainable alternative to wood. Mexican product and material designer Fernando Laposse works with corn husks, an ordinary by-product in agricultural farming, to create refined, highly aesthetic designs. 

Shahar Livne has created a bio-leather alternative tapping into slaughterhouse waste streams.

Similar in essence, Israeli designer Shahar Livne´s ‚Meat Factory Bio-Leather‘, derived from slaughterhouse waste streams, utilises blood, fat and bones, which are usually just discarded. Although the vegan debate has gained momentum in previous years, global meat consumption is steadily rising.

Remembering the bio-leather brought me back full circle to my childhood, where I often spent time at my grandmother‘s organic milk farm, close to the house we currently build. I was the only vegetarian in my family since I was five years old. Nevertheless, back then it was the most natural thing in the world to watch my grandmother produce black pudding, innards specialities and sausage. After a cow was slaughtered (usually one a year) most parts were processed, as it was indispensable for small farmers since the beginning of time. These days wastefulness as a status symbol is rejected by a growing number of the general global population in theory, yet not fully lived.

To summarise, I believe true sustainability means we all need to see beyond our personal preferences and the simplified interpretation of trends. Sustainability does not just mean natural. Sustainability does not just mean plastic-free. Sustainability does not just mean vegan. Sustainability means actively supporting circular models, responsibly working with the resources we have. We need to think of all the waste created as a side product every day and re-use the base materials, once a product has reached the end of its lifespan. In a complex world, it is too uni-dimensional to just hope for a one-fits-all solution for sustainability. Valuable materials can come from the humblest of sources and products associated with a negative image.

Sometimes it needs a monotonous task like insulating a floor, to spark the idea of writing a blog article on some of the materials I discover during my research work. As a design consultant and trend forecaster, I specialise in balancing newness with sustainability and commercial viability. I closely monitor emerging tendencies in interior, material and surface design, which I predominantly share with other industry professionals. But as sustainability can´t take a backseat any longer, despite the Covid19 crisis, I want to share more insights with a broader audience.

Contact me via hello@alinaschartner.com if you need support on choosing the right materials, colours and finishes for your next project or your product ranges.